Products

20.12m: A Short Story Collection of a Life Lived as a Road Allowance Métis celebrates and acknowledges the humble living conditions of Métis Road Allowance families and it exemplifies their grit and tenacity to survive and indeed succeed in the face of so many hardships. “20.12m” refers to the narrow width of many of the road allowances throughout the prairies. This unoccupied crown land became one of the meagre options for many impoverished Métis families as so few owned land.

In this passionate coming of age book, Arnolda Dufour Bowes honours the true-life experiences of her father, Arnold Charles Dufour, a resident of the Punnichy, Saskatchewan Road Allowance community. The strength of the oral tradition has kept these stories solidly in place in Arnolda’s memory. Weaving true elements with those drawn from her own creativity, these five engaging stories share a lived experience that is little-known to most Canadians. This collection of cherished remembrances of this Métis family will also strongly resonate with many other Métis families who lived similar lives. In keeping with the family focus, Arnolda’s sister, Andrea Haughian, skillfully complements these poignant stories with expressive illustrations, which both honour and richly portray road allowance life.

ISBN: 978-1-926795-99-7
Author: Arnolda Dufour Bowes
Illustrator: Andrea Haughian
Grade Level: Secondary/Post Secondary/Adult

•    Drape your bed, your couch, or yourself in soft, fluffy art
•    100% polyester fleece
•    Front features edge-to-edge design sublimation print (print only of original beadwork) 
•    Reverse is off-white
•    Machine washable
Sizes: 

•    Medium 152.4 x 127 cm
•    Large 203.2 x 152.4 cm

Winter Flowers Custom Blanket by Adele Arseneau

•  Drape your bed, your couch, or yourself in soft, fluffy art
• 100% polyester fleece
• Front features edge-to-edge design sublimation print (print only of original beadwork) 
• Reverse is off-white
• Machine washable
  
  

Sizes: 

• Medium 152.4 x 127 cm
• Large 203.2 x 152.4 cm

Hiding In Plain Sight Print by Adele Arseneau (9x12)

AArseneau 9x12 Limited Edition Print.

Medium: Beadwork on watercolour paper, watercolour and acrylic painting

Hiding in Plain Sight, is an example of re-imagining bridging tradition and innovation. Drawing from both my Cree and Metis heritages and the transformative power of neurographic art, it is my hope to define the world –and ourselves – through a lens of curiousity and possibility.
This work began with a serendipitous encounter: a Pacific Tree frog I encountered on the door frame to my new home. It’s vivid colours and delicate form inspired me to create a visual meditation on hidden beauty and resilience. Using Neurographica, a method rooted in psychology and visual thinking, I beaded the frog’s representation on a watercolour painting, then mounted it on an acrylic painted cradled panel, creating a dialogue between traditional beadwork and contemporary modern art. This fusion, reflects the interconnectedness of culture, nature, and healing, themes central to my practice.

Winter Flowers Custom Blanket by Adele Arseneau

A limited edition 9x12 giclee print- Here the relationship between mischief and medicine is explored—two energies seeming to stand apart, yet often traveling together. This piece reflects my understanding that life requires us to hold both at once: playful and serious, disruptive and healing. Fox appears here as a central figure. In many stories, Fox is clever, unpredictable, and spirited. But Fox Woman, is more than a trickster—she is a helper, a guide, someone who shows up when needed, though not always in the ways we expect. That duality is
important to me. It reminds me that not all medicine comes gently. Sometimes it arrives through challenge, humour, or disruption. Medicine is not just about healing the body—it’s about how we move through the world with intention, how we engage with
what’s around us. Medicine can restore, uplift, or teach. But it also has the power to harm if handled carelessly or with negative intent. That’s the balance represented in this work: how we carry and respond to both energies in our lives. What do we choose to focus on? Where do we place our attention, and how do our perceptions shape the meaning of what we
experience? We don’t always control what happens, we are participants—we decide how to carry it. Mischief and Medicine is about that tension. It’s about recognizing that every moment holds potential for both harm and healing, and that balance lives in the choices we make.

Edited by Laura Forsythe, Michif, and Jennifer Markides, a member of the Métis Nation of Alberta.

When surveying the field of Indigenous studies, Laura Forsythe and Jennifer Markides recognized a critical need for not only a Métis-focused volume, but one focused on the contributions of Métis women. To address this need, they brought together work by new and established scholars, artists, storytellers, and community leaders that reflects the diversity of research created by Métis women as it is lived, considered, conceptualized, and re-imagined.

With writing by Maria Campbell, Emma LaRocque, and other pioneers of Métis studies, Around the Kitchen Table looks beyond the patriarchy to document and celebrate the scholarship of Métis women. Focusing on experiences in post-secondary environments, Around the Kitchen Table necessarily traverses a range of methodologies. Spanning disciplines of social work, education, history, health care, urban studies, sociology, archaeology, and governance, contributors bring their own stories to explorations of spirituality, material culture, colonialism, land-based education, sexuality, language, and representation. The result is an expansive, heartfelt, and accessible “community of Métis thought” as articulated by Markides in her introduction to the volume.

Reverent and revelatory, this collection centres the strong aunties and grandmothers who have shaped Métis communities, culture, and identities with teachings shared in classrooms, auditoriums, and around the kitchen table.  This book contains 10 illustrations.

asowacikanisa: A Guide to Small Métis Bags is a continuation in the series of “how to” books on Métis material culture. This resource will guide you in the step-by-step process on how to create two different bags, a tobacco pouch and a sash bag, which were traditional utilitarian items used by the Metis. These bags are used today to carry traditional medicines and other treasured items. Complete with historical information, easy to follow instructions, detailed photos and accompanying DVD, this resource provides everything you need to know to make your own traditional bags. (Materials not included).

ISBN: 978-0920915-76-9
Authors: Wilfred Burton and Anne Patton
Illustrator: Sherry Farrell Racette
Translator: Norman Fleury
Format: Book/CD, English/Michif-Cree
Awards: Nominated—2007 Regina Book Award, Children’s Literature Award, and First Book Award,
Saskatchewan Book Awards
Nominated—2007 Children’s Book of the Year, Ânskohk Aboriginal Literature Festival
Nominated—2009 Shining Willow Award, The Willow Awards
Grade Level: Primary
Fiddle Dancer tells the tale of  a young Métis boy, Nolin, and his growing awareness of his Métis heritage and identity while his “Mooshoom” or grandfather, teaches hime to dance.  Authors Wilfred Burton and Anne Patton masterfully weave a childhood story rich in Métis culture and language.  This delightful story captures the importance of Elders as role models, a child’s apprehension at learning new things, and the special bond between grandparents and children.  Sherry Farrell Racette provides many beautiful illustrations for the book.

An Illustrated Beginner’s Guide Including Detailed Patterns and Common Mistakes

Carol James presents a 64-page, full-colour guide to fingerweaving. The book includes beginners’ and advanced methods that are fully illustrated with drawings, sketches, and photos. There is also a section on mistakes—how to prevent them and how to fix them. However, the maker may consider that while “a skilled weaver identifies errors quickly and corrects them. A creative weaver sees the potential, repeats the ‘mistake’ several times, and calls it a design element (p. 7).” To complement the guide, there are reproductions of historical sashes from different collections, including that of St Boniface Museum and of the Manitoba Museum. The book is divided in three main sections: Getting Started; Tips, Tricks and Troubles; and Traditional Patterns. In the last section, the author shares instructions for traditional patterns, including the Arrowhead, the Assomption, and the Acadian. In the last few pages, graph patterns are offered as well as a glossary.

ISBN: 978-0-9784695-0-4
Author: Carol James
Illustrators: Carol James and Janet Lafrance
Grade Level: Secondary/Post Secondary/Adult

Acrylic Flower Beadwork People pin designed by Lisa Berry of Floral Feathers 

Contents include:  Bead mat, beads, thread, pattern on foundation, felt or vinyl backing, pin & magnet and instructions. Comes in three patterns.  Pride Heart,  Flower, or Strawberry. Flower colours may vary. 

Included in travel kit: TIN,  BEAD MAT,  BEADS,  PELLON,  2 NEEDLES IN CASE,  THREAD,  BEES WAX,  SCISSORS,  BEAD SCOOP,  PROJECT STORAGE

Amy McPherson Ribbon Skirt Kit by Found Feather Creations

Amy McPherson is a Métis artist and designer from Winnipeg Manitoba. Over the last 25 years she has learnt many different forms of Indigenous arts. Including several different beading techniques, porcupine quilling, moose and caribou hair tufting, birch bark biting and basketry. Now a teacher herself she spends time sharing her knowledge around the Province and virtually. Amy is an alumni of MC Colleges Fashion Design and Apparel production program and creating her own fabric has been a dream since 2017.

Tutorial Video: Ribbon Skirt Tutorial — Galt Museum & Archives

Kit Contents 
2M 100% cotton fabric
10M double sided satin ribbon
1M elastic
1 thread spool
1 glue stick
*Fabric width 58”

Leah Marie Dorion Ribbon Skirt Kit by Found Feather Creations

About the Fabric Designer: Leah Marie Dorion is an interdisciplinary Métis artist raised in Prince Albert, Saskatchewan. Leah is a teacher, painter, filmmaker, and published writer, who holds three degrees: a Bachelor of Education, a Bachelor of Arts and a Master of Arts. She views her Metis heritage as giving her a unique bridge of knowledge between all people.
Leah has numerous creative projects to her credit. They include gallery showings of her paintings, children’s books, academic papers written for the Royal Commission of Aboriginal Peoples, and documentaries that showcase Metis culture and history.
Leah’s paintings honor the spiritual strength of Aboriginal women and the sacred feminine. She believes that women are the first teachers to the next generation, and they hold a key role in the passing of vital knowledge onto all of humanity. This ideal is heavily reflected in her artistry. 

Tutorial Video: Ribbon Skirt Tutorial — Galt Museum & Archives

Kit Contents
2M 100% cotton fabric
10M double sided satin ribbon
1M elastic
1 thread spool
1 glue stick
*Fabric width 44”

Roxanne Shuttleworth Ribbon Skirt Kit by Found Feather Creations

About the Fabric Designer: Roxanne Shuttleworth is a Métis woman (of Saulteaux/Cree/Dakota/British/Scottish/French descent) from Ebb & Flow First Nation.
A single mother of two, Roxanne’s greatest joy comes from her two grandsons Aiden and Calvin. Roxanne learned the thread arts from her mother, grandmothers, and maternal aunties. At six years old she learned to crochet, then added beading, knitting, cross stitch and embroidery. Sewing since she was 9 years old, it was the frustration of not finding any fabrics that represented her, and her people that led her to search for ways to design her own fabric.

Tutorial Video: Ribbon Skirt Tutorial — Galt Museum & Archives

CONTENTS
2M 100% cotton fabric
10M double sided satin ribbon
1M elastic
1 thread spool
1 glue stick
*Fabric width 58”

Shannon Gustafson Ribbon Skirt Kit by Found Feather Creations

About the fabric Designer: Shannon Gustafson (Ojibwe) is a member of Whitesand First Nation and a long-term resident of Thunder Bay, Ontario, She works as a full time artist and has experience in various artistic mediums such as beadwork, textiles, traditional clothing/regalia, woodworking and painting. She is well known for her floral beadwork which is inspired by the ancestors of her tribe. As an indigenous artist she is committed to cultural preservation through continual learning and sharing her gifts.

Tutorial Video: Ribbon Skirt Tutorial — Galt Museum & Archives

Kit Contents 
2M 100% cotton fabric
10M double sided satin ribbon
1M elastic
1 thread spool
1 glue stick
*Fabric width 44”

Tracey Metallic Ribbon Skirt Kit by Found Feather Creations

About the Fabric Designer: Tracey Metallic is a Mi’gmaq artist born and raised on the shores of the Restigouche River. She holds a Bachelor of Arts and Bachelor of Social Work from St. Thomas University and a Master of Social Work from Wilfred Laurier University. 
She lives in the community of Listuguj, in the territory of Gespe’gewagi and is a founding member of Pugwalesg, a Mi’gmaq women’s hand drum group. 
Her painting career was launched as a therapeutic outlet, painting cartoon characters for her grandchildren. After sharing her work on social media Tracey began receiving requests for abstract paintings. 

Tutorial Video: Ribbon Skirt Tutorial — Galt Museum & Archives

KIT CONTENTS
2M 100% cotton fabric
10M double sided satin ribbon
1M elastic
1 thread spool
1 glue stick
*Fabric width 44”

FABRIC ARTIST BIO: Cree Nisga’a Clothing
Cree Nisga'a Clothing is a fashion business that blends First Nations traditions with modern design, specializing in fabric, custom-made boots, moccasins, and other footwear.  Mother, father, and son create ‘wearable art, and the business, run by Linda Lavallee and Patrick Stewart, is based on the Tzeachten First Nation in Chilliwack, B.C. They create unique pieces, often featuring Nisga'a or Cree designs.

Tutorial Video: Ribbon Skirt Tutorial — Galt Museum & Archives

KIT CONTENTS
2M 100% cotton fabric
10M double sided satin ribbon
1M no fold elastic
1 thread spool
1 glue stick
*Fabric width 58”

In the ballroom of a seaside villa, the party is just getting started. 

A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style. The hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable self-adhesive wall mount is included.

Acrylic face mount fine art print
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art.

This flamboyant fellow jumped off the page. It was the spirit of Cosmo Kramer smiling back at me.

A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style. The hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable self-adhesive wall mount is included

Acrylic face mount fine art print
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art.

The Slinky family's vacation selfie, luggage and all. 

A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style.

The hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable self-adhesive wall mount is included.

Acrylic face mount fine art print
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art.

The interdimensional Queen of Hearts welcomes you to her island paradise. 

A Greg Mcgillis12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style. The hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable self-adhesive wall mount is included.

Acrylic face mount fine art print
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art.

Gerry St. Germain's story begins in "Petit Canada" on the shores of the Assiniboine, growing up with his two younger sisters, his mother and his father--a shy Metis trapper and construction worker who sometimes struggled to put food on the table. St. Germain was initially troubled in school, scrapping with classmates and often skipping out to shoot pool, but an aunt and uncle with some extra cash paid his tuition to Catholic school, where a nun recognized his aptitude for math and encouraged him to pursue his dreams. He would go on to become an air force pilot, undercover policeman and West Coast chicken farmer. Business gave way to politics, and in 1988 he became one of a tiny number of Aboriginal Canadians named to a federal cabinet. That milestone was just one of many for a man who played a critical role in Canada's Conservative movement for a generation.

From the Brian Mulroney era to the roller-coaster leadership of Kim Campbell, then to the collapse of the Progressive Conservative party in 1993 and the subsequent rebuilding of the movement under Stephen Harper, St. Germain remained a trusted confidant of prime ministers and a crucial and often daring behind-the-scenes broker in bringing warring factions together. But he is most proud of his efforts during his later years in the Senate, when he was a quiet hero to Canada's Aboriginal community. He spearheaded major Senate reports on key issues like land claims and on-reserve education during the Harper era, when there were few friendly faces for First Nations leaders on Parliament Hill. That role reflected St. Germain's profound determination to help people who are still dealing today the brutal legacy of residential schools and the paternalistic Indian Act. Memories of his humble beginnings, and the shame he once felt over his Metis heritage, bubbled to the surface in his final address to Canada's Parliament in 2012, when he said in a voice quaking with emotion: "I am a Metis."

*PLEASE NOTE: BOOKS ARE NOW PRINTED WITH SOFT COVER* 

We are thrilled to share Métis Nation British Columbia’s book “Kaa-wiichitoyaahk: We Take Care of Each Other” a cultural wellness guide that explores the rich history and unique identity of Métis people in British Columbia.

 This book is the first of its kind in British Columbia, likely all of Canada, and was developed through engagement with Métis Elders and Youth across the province in 2019. We are thankful for the generous contribution of Provincial Health Services Authority and the Province's Ministry of Mental Health Addictions.

The title, Kaa-wiichitoyaahk, means we take care of each other in Michif and is an important cultural Métis teaching. It is our hope that this book will not only teach non-Métis Canadians about the rich history and culture of the Métis but also help connect Métis individuals to their cultural and community.

Kristi Bridgeman and Lisa Shepherd

This map shows the trade routes and historical landing places of Métis people in BC, indicated by “mousetracks” and flower beadwork. Each flower is numbered and the legend tells the name of the relating fort or landing place of significant Métis interest. The four directions are indicated in the Michif language. The land geography and its relationship to Métis people, kinship ties and the birth of British Columbia are described, making it an excellent learning tool for the home, office or classroom. To read about this artist collaboration, see this web page.

Mixed media: glass beads, porcupine quills, sepia ink, watercolour, stroud.

*ART MAP (POSTER): 22"x30". Printed locally, 100% recycled FSC-certified paper.

12x12 Mandala & Métis Prints by Kristi Bridgeman

PRINTS: The print image itself is 12"x12" and the paper extends to 13"x13". Off-white non-yellowing mat is added to the print, perfect for framing. Includes design story. Printed locally, 100% recycled FSC-certified paper.

6x6 Art Cards by Kristi Bridgeman

ART CARDS: 6"x6" greeting card by Kristi Bridgeman. Includes design story, artist bio, and envelope. Printed locally, 100% recycled FSC-certified paper.

Celebrating the native berries of the west coast: the huckleberry, baldhip rose, thimbleberry and wild strawberry and honouring the quillwork, embroidery, black velvet and glass beadwork of our ancestors. 

8 x 10 open edition high quality giclée print on acid-free rag paper. 

8 x 10 open edition high quality giclée print on acid-free rag paper. 

8 x 10 open edition high quality giclée print on acid-free rag paper. 

L. La Fontaine Large Carry All Bag

9.5" x 12" 

Denim lined zippered makeup bags featuring printed artwork. Made from durable canvas with ykk zipper and inner pocket, there’s many ways you can use your printed makeup bag.

Features:

-Denim Lined: Indigo demin lining provides a soft structure for your carry-all.
-Vibrant printed canvas: 100% polyester textured canvas shell withstands everyday use while looking great.
-Inside Pocket- Inner pocket in denim help you stash your smaller items.
-Metal Zipper: Choose from long-lasting nickel or brass zippers to suit your artwork.
-Vegan Leather Pull Tab Side pull tab gives you extra grip on your carry-all.

12"x7" and 6" wide -Denim lined zippered makeup bags featuring printed artwork. Made from durable canvas with ykk zipper and inner pocket, there’s many ways you can use your printed makeup bag.

Features:

-Denim Lined: Indigo demin lining provides a soft structure for your carry-all.
-Vibrant printed canvas: 100% polyester textured canvas shell withstands everyday use while looking great.
-Inside Pocket- Inner pocket in denim help you stash your smaller items.
-Metal Zipper: Choose from long-lasting nickel or brass zippers to suit your artwork.

L.La Fontaine Small Carry All Bags

Denim lined zippered makeup bags featuring printed artwork. Made from durable canvas with ykk zipper and inner pocket, there’s many ways you can use your printed makeup bag.

Features:

-Denim Lined: Indigo demin lining provides a soft structure for your carry-all.
-Vibrant printed canvas: 100% polyester textured canvas shell withstands everyday use while looking great.
-Inside Pocket- Inner pocket in denim help you stash your smaller items.
-Metal Zipper: Choose from long-lasting nickel or brass zippers to suit your artwork.
-Vegan Leather Pull Tab Side pull tab gives you extra grip on your carry-all.

8"x 10.5"

Limited edition (out of 50), 15 x 20 giclee prints 

Year completed: 2024
Artist: Lynette La Fontaine (LL)
Original wall pocket materials: Melton wool, seed beads including antique ones, satin ribbon, fox braid, brain tanned moose hide, cotton and denim fabric, and nymo beading thread. 

The wall pocket was created under the mentorship of Gregory Scofield in an online workshop through Amelia Douglas Institute. I was inspired by Métis ancestor floral shapes and patterns to create my own design. 
The original is owned by Métis Nation Alberta for educational purposes. 

Hand-made on a loom using alpaca wool, this lanyard’s design is based off of the Assomption sash design made in Assomption,Québec.  The earliest known origins of this design come from the 18th century (<1800).  It is the oldest known sash design.

19 ″ length (Without ring)
50cm length (Without ring)
38 ″ circumference.
100cm circumference.
1 ″ ring diameter.
2.5cm ring diameter.

Large Dark Times Sash (270cm x 16cm) -The black border replacing the red represents the dark period after 1870 when the Métis were suppressed and dispossessed of their land.

RED: Represents the blood of the Métis that was shed through the years while fighting for their rights
BLUE: Represents the depth of the Métis spirit
WHITE: Represents the Métis connection to the Earth and Creator
YELLOW: Represents Prosperity
BLACK: Represents the dark times of suppression and dispossession of Métis Land followed by their resilience and resurgence of their Nation today

Slip cast porcelain mug with underglaze image of Louis Riel. This mug was designed and made by local Métis potter, Lindsay Gowler. Available in Small (roughly 10 oz) Medium (12-14oz and Large (14-16 oz).

Lindsay Gowler 12 oz Handmade Porcelain Louis Riel Mug

Slip cast porcelain mug with silk screen image of Louis Riel. This mug was designed and made by local Métis potter, Lindsay Gowler. Available in Small (roughly 10 oz) Medium (12-14oz and Large (14-16 oz).

Slip cast porcelain mug with image of Louis Riel. This mug was designed and made by local Métis potter, Lindsay Gowler. Available in Small (roughly 10 oz) Medium (12-14oz and Large (14-16 oz).

Artist: Lisa Berry

Lisa draws on her Métis heritage to bring her unique artistic vision to life. She enjoys inspiring others and celebrating her culture through her artwork. Her illustrations and colouring books are a reflection of her journey of learning, connection and taking pride in who she is, where she comes from and where she is going. 
www.floralfeathers.ca.

Design: The five-petal flower represents all Métis children who attended residential schools. The infinity symbol is small, as if it’s hiding and represents holding onto the culture while trying not to forget who you are. The Métis flowers are blooming and encircling the flower and infinity symbol as a representation of the enduring strength of Métis culture and identity.

Design: The five-petal flower represents all Métis children who attended residential schools. The infinity symbol is small, as if it’s hiding and represents holding onto the culture while trying not to forget who you are. The Métis flowers are blooming and encircling the flower and infinity symbol as a representation of the enduring strength of Métis culture and identity.

Artist: Lisa Berry

Lisa draws on her Métis heritage to bring her unique artistic vision to life. She enjoys inspiring others and celebrating her culture through her artwork. Her illustrations and colouring books are a reflection of her journey of learning, connection and taking pride in who she is, where she comes from and where she is going. 
www.floralfeathers.ca

Glass Magnets Set by artist Lisa Berry 
This Glass Magnet Sets come with 4 round glass magnets, each with a different design by the same artist. Each magnet is 1.75” round. They are packaged with the artist biography on the back. 

Amethyst Tea Towel by artist Lisa Berry 
A microfiber Tea Towel-19.7 x 27.5” and features a convenient hanging loop at the back. Each tea towel showcases authentic Indigenous art and is designed so it can be folded in half without losing the integrity of the design.