Kristi Bridgeman and Lisa Shepherd
This map shows the trade routes and historical landing places of Métis people in BC, indicated by “mousetracks” and flower beadwork. Each flower is numbered and the legend tells the name of the relating fort or landing place of significant Métis interest. The four directions are indicated in the Michif language. The land geography and its relationship to Métis people, kinship ties and the birth of British Columbia are described, making it an excellent learning tool for the home, office or classroom. To read about this artist collaboration, see this web page.
*ART MAP (POSTER): 22"x30". Printed locally, 100% recycled FSC-certified paper.
A limited edition 9x12 giclee print- Here the relationship between mischief and medicine is explored—two energies seeming to stand apart, yet often traveling together. This piece reflects my understanding that life requires us to hold both at once: playful and serious, disruptive and healing. Fox appears here as a central figure. In many stories, Fox is clever, unpredictable, and spirited. But Fox Woman, is more than a trickster—she is a helper, a guide, someone who shows up when needed, though not always in the ways we expect. That duality is
important to me. It reminds me that not all medicine comes gently. Sometimes it arrives through challenge, humour, or disruption. Medicine is not just about healing the body—it’s about how we move through the world with intention, how we engage with
what’s around us. Medicine can restore, uplift, or teach. But it also has the power to harm if handled carelessly or with negative intent. That’s the balance represented in this work: how we carry and respond to both energies in our lives. What do we choose to focus on? Where do we place our attention, and how do our perceptions shape the meaning of what we
experience? We don’t always control what happens, we are participants—we decide how to carry it. Mischief and Medicine is about that tension. It’s about recognizing that every moment holds potential for both harm and healing, and that balance lives in the choices we make.
A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style.
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art. The floating, hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable
self-adhesive wall mount is included
A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style.
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art.
My unique floating, hanging hardware gives the piece the appearance
of floating, as it suspends the painting 22mm off the wall. A reusable
self-adhesive wall mount is included.
A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style.
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art. The floating, hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable
self-adhesive wall mount is included.
A Greg McGillis 12x15.5 inch acrylic face mounted print with floating hanging apparatus. Using ink and watercolour for his paintings with a dot push stroke for unique textures and style.
The acrylic face mount process begins, when a high resolution fine art
print is adhered to an artist quality, acrylic sheet. This introduces a 3D
effect to the print. The edges are then beveled and polished to bring it
to a glass like state. An aluminum backing is applied and you have a
durable, weatherproof, piece of art.  Floating, hanging hardware gives the piece the appearance of floating, as it suspends the painting 22mm off the wall. A reusable
self-adhesive wall mount is included.
 
       
              
             
               
               
                   
               
                   
               
                   
               
               
               
                   
               
                   
               
                   
               
                   
               
                   
               
                   
               
                   
               
                   
                    
                  
                    
                   
                 
                    
                  
                    
                   
                 
                    
                  
                    
                   
                